Queen Demos Of Released Tracks (R-Z)
    This page includes full details of all Queen  demos and early versions of tracks that have subsequently been  released on Queen or Solo projects. It includes genuine demos and  early versions (as far as can be determined), other tracks which  are often claimed to be demos, and also a guide to 'faked demos'  which are known to exist. Details of other demo tracks can be  found on page 1 and page 2.
  
  The links at the top of this page are grouped according to the  type of recording, whilst the actual details are listed  alphabetically. A brief guide to the various types of recording  is given below. 
  
  These pages were generated by collating a number of other  sources, and from my own collection of recordings. Not much  information is known about many of the tracks, so if you can  provide further information or believe there to be any errors or  omissions, please email me.
         
       
    
  
  
  
  
  
    
     Rain Must Fall
   Details of the released version can be found on the 'The Miracle' album  page.     This is a simple demo of the track which only features cymbals  from Roger, and multiple vocal overlays from Freddie. Obviously  the music is much more stripped down compared to normal, but  lyrically it is fairly similar to the album version. The track  has a 20 second cymbal intro, and ends abruptly mid verse. It was  recorded in the same week as the 'Khashoggi's Ship' and 'Face It  Alone' demos, in November 1988. Length 1:13.     Apparently as many as eight different vocal takes also exist,  although how complete these are, and how much they differ from  the album version or above demo is unknown.    I can see it in your stars
  Life is so exciting
  Acting so bizarre
  Your world is so inviting
  Playing really cool
  And looking so mysterious, honey
  Your every day is full of sunshine
  But into every life a little rain must fall
  Uh huh
  Be cool
  
  Anyone who imagines
  They can blind you with science
  Bully you all over
  Property and finance
  But you have position
  To call the shots 
  And name the price, honey (honey)     
     Ride The Wild  Wind
   Details of the released version can be found on the 'Innuendo' album page.     This track was played at the fan club convention in 2001, and as  the name implies features heavy drums throughout, and a different  beat. Roger sings lead vocals, although how far developed the  lyrics are is unknown.     This version has a rougher feel, with additional heavy drums, a  different guitar solo, and Roger on lead vocals. The lyrics are  very similar to the finished version, but some of the verses are  swapped, and some lyrics are missing. Altogether it is an  excellent track, superior to the album version. It is available  on the 'Innuendo' 2011 double disc reissue. Length 4:13.     Get your head down baby, we're gonna ride tonight
  Your angel eyes are shining bright
  I wanna take your hand, lead you from this place
  Gonna leave it all behind, come join the human race
  
  Ride the wild wind
  Push the envelope, don't sit on the fence - hey, hey, hey, hey
  Ride the wild wind
  Live life on the razors edge - hey, hey, hey, hey
  Gonna ride the wild wind
  It ain't dangerous enough for me
  
  We're gonna get down baby, we're gonna ride tonight
  We got freaks to the left
  We got jerks to the right
  Sometimes I get so low 
  I just have to ride
  Gonna take your hand
  Gonna be your guide
  
  Ride the wild wind
  Push the envelope, don't sit on the fence - hey, hey, hey, hey
  Ride the wild wind
  Live life on the razors edge - hey, hey, hey, hey
  Gonna ride the wild wind 
  It ain't dangerous enough for me
  
  Ride the wild wind
  Push the envelope, don't sit on the fence - hey, hey, hey, hey
  Ride the wild wind
  Live life on the razors edge - hey, hey, hey, hey
  We're gonna ride the wild wind
  It ain't dangerous enough for me
  Enough for me
  
  Hey, hey, hey, hey
  Hey, hey, hey, hey
  Hey, hey, hey, hey
  Hey, hey, hey, hey
  Hey, hey, hey, hey
  Ahhhh     
     Rock It
 (Prime Jive)
   Details of the released version can be found on the 'The Game' album  page.     There are believed to be at least three different demos of the  track in the vaults. The first two are different demos, one  featuring Freddie on vocals, and the other featuring Roger on  vocals. While the album version features two verses sung by  Freddie and the rest by Roger, it is likely that each demo  features them singing the entire song, rather than just parts.  The third demo is a rumoured 'live rehearsal' of the track,  although nothing else about it is known.      
     Sail  Away Sweet Sister
 (To The Sister I Never Had)
   Details of the released version can be found on the 'The  Game' album page.     This is an instrumental take of the song, and was apparently one  of the first takes of the track, believed to be recorded in 1979.  The music is very similar to the finished album version, but the  drums are quite heavy in comparison. The track ends abruptly in  this take, rather than having the slow outro. Length 3:30.      This is a 16 second instrumental excerpt of an take, which is  musically similar to the album version, but more improvised. It  is included on 'The Game' 2011 double disc reissue, before the  Guide Vocal, so presumably comes from the same recording session.  Length 0:16.     This track, which is also available on 'The Game' 2011 double  disc reissue, is musically similar to the album version, but the  lyrics, sung by Brian, are very undeveloped, improvised, and  sometimes ad-libbed. It includes the above instrumental excerpt  at the start, followed by some short dialogue from Freddie and  Brian, then ends with some more dialogue from Freddie. Length  2:06.     Freddie: OK, one, two, three, four (Brian: Turn me down a bit)    (Ad-libbed lyrics) ain't my baby  (Ad-libbed lyrics)  All that you love my baby
  All that you had to stay
  
  Love (ad-libbed lyrics)
  (Ad-libbed lyrics)  Love don't you want me baby
  All that you've gone away, oh
  
  Sail away sweet sister
  Gone across the sea
  Gone and find nobody  (Unknown lyrics) and as hell as me
  
  Sail away for ever
  Call me when you do
  Love you now sweet sister
  Sail on back to me
  
  Wooh, oh, little darling baby  (Ad-libbed lyrics)
  (Ad-libbed lyrics)  Happiest time of all    (Ad-libbed lyrics)  (Ad-libbed lyrics) hurt you may  (Ad-libbed lyrics)  All that you had to leave
  
  Sail away sweet sister
  Take away my love
  Sail across the sea
  But you ain't got the heart of me
  
  Heart makes a fool of me
  Call me when you do
  Sail away sweet sister
  Sail on back to me
  
  Oooh, oh, oh, oh    Freddie: Well I think I know it perfectly know     
     Save Me
   Details of the released version can be found on the 'The Game' album page.     According to an interview with Greg Brooks in 2005, there is a  piano demo of the track by Brian May in the vaults. Nothing else  is known about the track, so how complete it is, and whether it  also includes vocals, is unknown.      
     Scandal
   Details of the released version can be found on the 'The Miracle' album page.     This demo is fairly similar to normal, but it is a more basic  arrangement and the guitars are more prominent. It contains three  verses of the song, but the 'scandal' vocals are missing. The  track fades out during Brian's guitar solo. Length 1:38.     This mix is almost identical to the album version, the only  changes are that some backing vocals are slightly less prominent,  and there is a slight lyric change in the last verse, where  'scandal, yes you're breaking my heart again, scandal, yes you're  on and on and on again' becomes 'scandal, scandal, yes you're  breaking my heart again'. The track is available in excellent  condition, and the changes could be made through clever editing  and other effects, so I am not sure how authentic it is. Length  4:34.    Scandal - now you've left me there's no healing the wounds
  Hey, scandal - and all the world can make us out to be fools
  They'll see the heart-ache
  They'll see the love break
  They'll hear me pleading
  I say for God's sakes
  Over and over and over again
  
  So let them know when they stare
  It's just a private affair
  They'll have us hung in the air 
  And tell me what do they care
  It's only a life to be twisted and broken
  
  They'll see the heart-ache
  They'll see our love break, yeah, oooh
  They'll hear me pleading
  I'll say for God's sakes
  Over and over and over and over again     
     See What  A Fool I've Been
   Details of the released version can be found on the 'Queen II' album  page.     This track is rumoured to have been recorded for the debut album  'Queen', which is quite likely, given the amount of original  material available to the band at the time. Lyrically, it is  likely that it would be quite different to the B-side version,  given how early live performances also differ. However, nobody  really knows for sure, or whether any of it survives.      This live track is clearly not a demo, but I have seen it  described as such, even though the audience can be clearly heard  in places. The confusion probably arose because it contains a  mixture of lyrics from the album version and the BBC  version. The track was officially released on the 'A Night  At The Odeon' album and video releases in 2015. Length 4:11.      
     Seven Seas Of Rhye
   Details of the released version can be found on the 'Queen II' album page.     A short instrumental preview of the track appears on the debut  'Queen' album, and it is rumoured that the band recorded a full  vocal version of the track, before it was reworked for the 'Queen  II' album.      An alternate mix of the track appears on a UK 7" promotional  single, and apparently this features a different backing track.  However, the mistake was realised and the copies were destroyed,  and only a handful are believed to now exist. Naturally, this  means that the exact details of this mix are unknown.      An a-capella version of this track, which closes the 'Queen II'  version of 'Seven Seas Of Rhye' is believed to exist. While it is  likely that the track was recorded, and it may well still exist,  it is only likely to be a short version as the track was only  used to close the album, rather than being a song in it's own  right.      
     Sheer Heart  Attack
   Details of the released version can be found on the 'News Of The World'  album page.     This track was originally planned for the 1974 album of the same  name, but wasn't finished until 'News Of The World' in 1977.  Sources suggest that the 1974 demo features Roger on vocals,  which is likely, but how complete it is and whether a copy still  exists is not known.      This is a fan-made remix which has been listed as a demo. It runs  slightly slower than the album version, and the guitars are less  prominent giving it a slightly more basic feel. Some of the  vocals also have an echo on them, which is a bit of a give away  that it's not a genuine demo. Length 3:39.    
     She Makes Me
   Details of the released version can be found on the 'Sheer  Heart Attack' album page.     An early demo of this track is believed to exist, but if so it  has yet to be played at conventions or circulated online.     
     Somebody To Love
   Details of the released version can be found on the 'A Day At The Races'  album page.     These are instrumental takes of the start of the track, featuring  Roger, Freddie and John in the studio with no involvement from  Brian. They do not contain any lyrics, and feature in total five  attempts at recording the track. They include some dialogue from  Freddie and also presumably engineer Mike Stone. Length 3:52 in  total, the longest section recorded is 1:45.      This is an outtake of the central choir part of the track, which  features even more operatic vocals than the album version.  Freddie's vocals on the 'somebody to love' line are  multi-tracked, and the track features suprisingly prominent  hand-claps as the vocals build. Length 1:21.     This is a very short excerpt of the above vocal out-take,  containing the second and third to last lines. Length 0:08.     Find me somebody to love
  Find me somebody to love
  Find me somebody to love
  Find me somebody to love
  Find me somebody to love
  Find me somebody to love
  Find me somebody to love
  Find me somebody to love, love, love
  Find me somebody to love
  Find me somebody to love
  Somebody, somebody, somebody, somebody
  Somebody find me somebody find me somebody to love
  Can anybody find me 
  Somebody to love
  
  Anybody, anybody, anybody, anybody
  Find me, find me, find me, find me
  Somebody to       Freddie: Just er, start it a bit later
  (A scream)
  Unknown: Take 3, 4, 3, 4, 4, 4, 4
  
  Freddie: Sorry
  Unknown: Five
  
  Unknown: Take six
  Freddie: Alright
  
  Freddie: Oh shit, I'm sorry. 
  Unknown: Take Seven
  (Unknown dialogue follows)     
     Staying Power
   Details of the released version can be found on the 'Hot Space' album page.     This version is very similar to normal, but does not have any  horns or saxophone. As a result, the horn solo at 1:41 is  replaced by a new guitar solo, and the horns at 3:05 around  'power, power' are missing, leaving only the vocals, bass and  drums. Lyrically the track is very similar to normal, with no  significant lyric changes, the main addition is that Freddie  sings 'let's make contact' before the first verse. As well as the  full 4:12 version, there is also an edited version in very bad  quality which trims off the first second and cuts off abruptly at  about 2:59. Length 4:12.     Ha
  Let me show it to you
  Yeah
  Oh
  Ha, yeah
  Let's make contact
  
  See what I got
  I gotta hell of a lot, yeah
  Tell me what you feel
  Is it real
  Is it real, huh
  You know I got what it takes
  And I can take a lot
  Did you hear the last call baby
  You and me got staying power, yeah
  You and me we've got, huh, staying power
  Staying power, I got, I got it
  Ha
  
  I wonder when we're gonna make it
  I wonder when we're gonna shake it, tell me
  Rock me baby rock me
  Come on you can shock me
  Let's catch on to the groove
  Make it move, make it move, yeah
  You know how to shake that thing
  We'll work it, work it, work it
  You and I can play ball baby
  You and me got staying power, yeah, yeah, yeah, yeah
  You and me we've got staying power
  
  Oooohhh, yeah, yeah, yeah, yeah, yeah, ha
  I wonder when we're gonna make it, tell me
  I wonder when we're gonna shake it
  I've got fire down below
  I'm just a regular dynamo
  Want some smooth company
  Don't lose control just hang on out with me
  Got to get to know each other
  But we got plenty of time
  Did you hear the last call baby
  You and me got staying power, yeah
  Huh, you and me we've got staying power
  Ha, yeah, yeah
  Power, power, power, power
  Power, power, power, staying power
  
  I wonder when we're gonna stick it
  I wonder when we're gonna trick it
  Blow baby blow
  Let's get down and go, go
  Get yourself in the mood
  Got to give a little bit of attitude
  Baby don't you crash
  Let's just trash, trash, trash
  Did you hear the last call baby
  You and me got staying power, yeah, huh, huh
  You and me we got staying power, I like it
  Staying power, yeah, yeah, gotcha     
     Stealin'
   Details of the released version can be found on the 'The Miracle' album page.     This demo is obviously much longer than the normal version, and  is extended by more verses and choruses and some additional  instrumental sections. In places, the music and vocals are so  similar that it seems that the single version is possibly an edit  of this track. The only part of the normal version that isn't  present here is the fast finale, so that possibly comes from  another song. This demo features vocal overdubs by Freddie, which  are in response to his normal vocals, but in some places these  are hard to decipher. This track is also in stereo, with many  vocals coming through the left channel only, so by removing  either stereo channel gives a different version. The track ends  with an acoustic/bass guitar solo. Length 11:40.     Freddie: OK, so we're going, start it off anywhere you want, and  I'll, I'll bring    That's the way I am (uh)
  Does anybody want to know (no way)
  Ha, this is the way I lead my life, you know (big deal babe)
  Wheelin' and dealin' (so what) and a little bit of stealin' (ha,  ha, ha, ha)
  You know, that's the way I grew up
  That's the only life I know (so do I)
  That's the way my mother told me (so what)
  
  And they go stealin'
  Hey
  Stealin'
  Hey, yeah
  Stealin' (tell me another thing)
  I gave you the key to my home (and what)
  I left you alone (so what)
  In charge of my heart (tell me another thing honey)
  Hey, stealin' (is that what you're doing)
  You got me wheelin' and dealin' (yeah)
  Playin' with my feelings (yeah)
  Right from the start (OK boy, know you're trip)
  
  Because stealin', stealin' (huh)
  I gave you the key to my home (ooh, hey, hey, hey, hey)
  I left you alone (ha, ha, ha)
  In charge of my heart
  Stealin', stealin' (that's what they call it)
  Yeah, you got me wheelin' and dealin' (wheelin' and dealin')
  Played with my feelings (that's what they call it)
  Right from the start, uh, uh, uh, uh (OK you ain't from Harlem I  know that) 
  
  Listen
  Can't afford to pay my rent (so what)
  I had to use my common sense (big deal)
  To get you some lovin' I owe, oooh, oooh (I owe a lot of money to  the bank and the rear's having a heart attack, straight)
  This guy said look in my head (yeah)
  Make some easy bread (look in my head), so
  Stealin' is the only way that I know (tell me something else,  babe)
  Because stealin', stealin', hey
  Stealin', stealin', ha, ha, ha, ha
  That's the only life
  I'm not bleedin'
  Stealin'
  My real cards I'm dealing
  Stealin'
  Stealin' (you keep that, Buster)
  Only way that I know (is that all you can tell me honey)
  Stealin'
  There's a lot of things that I know about (I know) so what
  
  Can't afford to play my cool (oh big deal)
  I had the world in my living room, ha, ha, ha (give it a)
  I owe my money too (over and over, ha)
  This sad and lonely man (yeah)
  The pain that I left (yeah)
  Lovin' is the only way that I know (say, everybody knows that),  hey
  Stealin' (tell me somethin' else, hey)
  Stealin' (is that what you know about)
  I gave you the key to my home (big deal)
  Left you alone (so what) right from the start, ha, ha, ha, ha
  Stealin' (I can get a better job than that - are you telling me?)
  You got me wheelin' and dealin' (so)
  Played with my feelings (big) right from the start (you fool  around)
  Yeah, but I'm stealin', baby, stealin'
  Stealin', stealin'
  I gave you (ha) both my heart and my home (yeah)
  Left you alone (yeah) now you're breaking me apart
  So what about this, ha, I can't stand you talking about all this  all night
  Stealin' (big deal)
  Uh
  
  Alright
  You know there's been a lot of stealin' (uh huh, huh, huh, huh)
  I only make my living stealin' (I'm gonna go home and get my  chicken feed, big deal)
  Make my livin' only stealin'
  Stealin' (so what), stealin' (that's your problem honey)
  Of my heart (goodbye)
  You're my baby's heart
  (Only, only) OK, kill it  (Ad-libbed lyrics) stealin'
  
  Uh, uh, uh
  Uh, uh, uh
  Stea-eeeee -
  Oooooh - eeeee    (Ad-libbed vocals)
  (Ad-libbed vocals)    You've got me wheelin' and dealin'
  And playin' with my feelings
  Right from the start
  You got me rollin' and a rollin'  (Ad-libbed lyrics)    You're in charge of my heart
  I gave you the key
  Charge
  You are in charge of my heart 
  You are in charge of my heart 
  You are in charge of my heart 
  You are in charge of my heart 
  You are in charge 
  You are in charge 
  You are in charge of my heart 
  Da, da, ba, da, da, dap
  Ba, ba, ba, da, da, dap
  Ba, ba, da, da, da, dap
  Because you are in charge of my heart
  
  You are in charge of my heart 
  You are in charge of my heart 
  You are in charge of my heart 
  I gave you the key
  And turned on the bed
  I gave you the key  (Ad-libbed lyric) I said my baby
  You are in charge of my heart
  And you are in charge of my heart, yeah
  You are in charge of my heart, babe
  You are in charge of my heart
  
  I gave you the key my home and left you alone
  I left you with my lovin' and made it my heart
  And all my pleadin', and dealin' and pleadin' with my heart
  I gave you wheelin' and dealin' right from the start
  I left you in charge, in charge of my heart
  I left you, babe, in charge of my heart
  I left you in charge of my heart
  I said I left you in charge of my heart, yeah
  
  Stealin'
  Bleedin'
  Dealin'
  Real in my heart, hey
  
  Right from the start
  In charge of my heart
  Baby let 'em bleed
  You know I gotta getta bit of dealin'
  You know I've been pleadin'
  You got me wheelin' and dealin'
  Everywhere I go
  Playing with my feelings right from the start
  
  Can't afford to pay my rent
  I can use my common sense
  Get some money love my babe
  Get my strength my lover babe
  
  I can't afford to pay my rent
  I had to use my common sense
  To get some money I, I owe
  The guy said look and (unknown lyric)  I got kneelin'
  I got stealin'
  I got bleedin'
  I got wheelin'
  
  Can't afford to pay my rent
  I had to use my common sense
  To get back some of my money I owe
  For God's sake go
  For God's sake break
  God's sake money, money I know, oooh
  Got to move my stealin', the only way I know
  Got the way to my stealin', yeah, yeah, yeah, yeah, hah
  
  Now
  I gave you the key to my home
  I left you alone in charge of my heart
  Gotta do my wheelin' and dealin'
  I played with my feelings right, right from the start
  
  Can't afford to pay my rent
  I had to use my common sense
  To get the money I let 'em owe
  You said that my love had gone
  And I'm stealin'
  Got me dealin'
  Wee dah, hey, ah
  Hey, ah, dee de dah, bop, ba
  
  Make some easy bread
  Ain't no other way
  That's the only life I know
  That's the only way I wanna go
  I'm stealin'
  Dealin'
  Only way I know
  
  My baby loves me
  She knows that I love me  (Ad-libbed vocals, then dialogue from Roger which sounds like  'let it strip', followed by coughing)     
     Stone Cold Crazy
   Details of the released version can be found on the 'Sheer Heart Attack'  album page.     'Stone Cold Crazy' is believed to originate from Freddie's time  in Wreckage, and was a live favourite in Queen concerts in their  early shows. It is rumoured, and quite likely, that they  attempted to record the track for the debut album 'Queen' in  1973, but there has been no confirmation of this.      
     Tear It Up
   Details of the released version can be found on the 'The Works' album page.     Apparently an early demo exists from 1983, which has Brian  singing vocals, presumably intended as a guide for Freddie.     
     Tenement Funster
   Details of the released version can be found on the 'Sheer Heart Attack'  album page.     An early demo of the track is believed to exist, which was known  as 'Tin Dreams' at the time it was recorded.      This is an early instrumental take, featuring Roger, Freddie and  John, which is very similar to the album version, with only minor  differences. The track begins with a short cymbal intro, and ends  with most of the piano segue into 'Flick Of The Wrist'. It has  some minor disturbance at around 2:22, when somebody appears to  move the microphone. An edited version is also available, which  contains the section from around 1:05 to 2:54, giving a length of  1:48. Length 3:05.     
     The Dark
   Details of the released version can be found on the 'Back  To The Light' album page.     This track, which was released on Brian's 1992 album 'Back To The  Light', features orchestral music recorded during the 'Flash  Gordon' sessions in 1980. As such, it is rumoured that a full  Queen version of the track exists, though how much is just  orchestral music and how much genuinely features the other  members of the band is unknown.      
     The Hero
   Details of the released version can be found on the 'Flash Gordon' album page.     Like all the tracks from the album, the film features a slightly  different version, with a much rawer and under developed feel,  with a couple of lyric changes. Rather predictably this has hence  been claimed to be a demo. Length 3:36.     
     The Hitman
   Details of the released version can be found on the 'Innuendo' album page.    This is apparently a full length demo of the track, which is  similar to the album version, but features Brian on lead vocals.     This is an edit of the full version, featuring the first two  verses, with a number of lyric changes; the most notable is that  the line 'I'm just it man, you might get fried' is changed to  'don't gimme no shit man, you might get fried'. It is officially  available on the promo only 'Hints Of Innuendo' cassette. Length  0:54.     Yeah, I'm the hitman, stand aside
  I'm the hitman and I want your life
  Ain't no escaping
  Don't run and hide
  There goes the neighbourhood
  I'm gonna kill for your love
  
  I'm the hitman, now don't you cry
  Don't gimme no shit man, you might get fried
  Gun in my pocket
  Don't get me wrong
  No, I'm the hitman
  I'm a fool for your love
  Bite the bullet babe     
     The Invisible  Man
   Details of the released version can be found on the 'The Miracle' album  page.     This early version features Roger on vocals, and has heavier  drums, rawer guitars, and a new verse by Freddie which is  dominated by bass and features completely different lyrics to the  album version. The track also features most of Brian's guitar  solo and some of Freddie's vocals, both of which either made it  through to the album version or, more likely, were added to this  mix to make it more complete. The track ends with a lengthy  instrumental outro. Altogether this is a superb take and vastly  improves on the album version. It is available on 'The Miracle'  2011 double-disc reissue. Length 5:01.     This demo is a more basic version of the album track, but it is  restructured and adds the additional verse. Length 1:19.      This message was played from tape at the 1989 Fan Club  convention, and begins with Brian's guitar solo, then has a long  instrumental section (obviously derived from the album track) and  fades out in a similar way to the album version. The track has no  lyrics as such, but retains Freddie's introductions of 'Brian  May, Brian May' and 'Roger Taylor' from the album version, and  features messages from Brian, John, Freddie (mostly sung) and  Roger in turn. It was released on a 7" flexidisc called 'A  Message From Queen', which was given away at the convention.  Length 2:04.      Mm, mm, hmm, mm
  
  When you hear a sound
  That you just can't place
  Feel something move
  That you just can't trace
  And then something sits
  On the end of your bed
  Don't turn around
  When you hear me tread
  
  I'm the invisible man
  I'm the invisible man
  Incredible how you can
  See right through me
  
  I'm the invisible man
  I'm the invisible man
  It's criminal how I can
  See right through you
  
  And I'm in your room
  And I'm in your bed
  And I'm in your life
  And I'm in your head
  Like a CIA
  Or the FBI
  You'll never get close
  Never take me alive
  
  I'm the invisible man
  I'm the invisible man
  Incredible how you can
  See right through me
  
  I'm the invisible man
  I'm the invisible man
  It's criminal how I can
  See right through you
  
  Was it the shinings of my soul
  That made me lonely just like you
  No-one noticed I was there
  When I walked into the room
  
  Never had a real good friend - not a boy or a girl
  No-one knows what I've been through - let my flag unfurl
  Swore I'd make my mark 
  From the edge of the world
  From the edge of the world
  Edge of the world
  
  Now I'm on your track
  And I'm in your mind
  And I'm on your back
  But don't look behind
  
  I'm your meanest thought
  I'm your darkest fear
  But I'll never get caught
  You can't shake me dear
  
  I'm the invisible man
  I'm the invisible man
  Incredible how you can
  See right through me
  
  I'm the invisible man
  I'm the invisible man
  Incredible how I can
  See right through you
  
  I'm the invisible man
  I'm the invisible man
  It's criminal how I can
  See right through me
  
  I'm the invisible man
  I'm the invisible man
  It's criminal how I can
  See right through you, you
  I can        I'm the invisible man
  I'm the invisible man
  Incredible how you can
  See right through me
  
  When you hear a sound
  That you just can't place
  Feel something move
  That you just can't trace
  When something sits
  On the end of your bed
  Don't turn around
  When you hear me tread
  
  I'm the invisible man
  I'm the invisible man
  Incredible how you can
  See right through me
  
  I'm the invisible man
  I'm the invisible man
  It's criminal how I can
  See right through you
  
  Was it the shinings of my soul
  That made me lonely just like you
  No-one noticed I was there
  When I walked into the room
  
  Never had a real good friend - not a boy or a girl
  No-one knows what I've been through - let my flag unfurl
  Swore I'd make my mark 
  From the edge of the world
  From the edge of the world (edge of the world)
  
  I'm the invisible man
  I'm the invisible man
  Incredible how you can
  See right through me       Brian May, Brian May    Brian: Hello this is Brian here, hello, this is for the fan club,  how are you all doing folks? I hope you're having a lovely,  lovely time this is Brian here and I'm with Roger and John here  and Freddie's around somewhere. Where are you? Oh he's down  there. Right, and I just hope you have a wonderful, wonderful,  wonderful time at the convention and we hope to see you very,  very soon, with lots of la musica
  
  John: Hello this is John Deacon, hope you're enjoying the er,  convention, having a nice time, having a few drinks, and we've  been working hard all year making the album, and we hope you  enjoy it.
  
  Roger: We're going off skiing now
  
  Freddie: Hello, it's Freddie here. I hope each and every one of  you at the convention is having a swell, humdinger of a time,  yeah, yeah    Roger Taylor    Roger: Hello, this is Roger here, we hope you have a wonderful  fan club convention, and er, we hope you enjoy the new album as  well. Bye everybody.      
     The  Kiss
   Details of the released version can be found on the 'Flash  Gordon' album page.     This is a slow piano and vocal version, by Freddie alone, with  vocals very close to the final album version. Freddie's piano  continues after the vocals end, eventually briefly becoming the  main theme from 'Football Fight'. It is available on the 'Flash  Gordon' 2011 double disc reissue only. Length 1:10.     
     The  March Of The Black Queen
   Details of the released version can be found on the 'Queen II'  album page.     An early version of the 'Queen II' album features standalone  versions of both 'The March Of The Black Queen' and 'Funny How  Love Is'. However, nobody seems to have heard of it for some time  so exactly how the two tracks differ is unknown.      These are three instrumental takes of the start of the track,  which generally appear together on the same MP3, which also  contains an intro by Greg Brooks and some studio noise between  takes. The demos feature Freddie, Roger and John, there are no  lyrics (other than a few ad-libs), and the dialogue that you can  hear is minimal. Musically, the takes are very similar to the  album version but there are subtle differences, mainly in tempo.  Lengths 1:10 (take 3), 0:53 (take 4), 3:15 (take 5) and 6:44  (combined).    Greg Brooks: Somewhere on this [recording cuts out] two days  before they find the masters, so let's try and find that
  Unknown voice: Take 3
  Greg Brooks: By the way, before we hear it, if you really listen  carefully, if you're allowed to in this room, erm, you hear, you  hear erm, at some point in this take, Brian says something to  Freddie, and Freddie ponders it, and he says "yeah, you're  absolutely right. You're dead right, actually" he says, and  erm, then they carry on. We don't know what he says, but whatever  it was, it was dead right. You can't, this isn't really the ideal  place to hear those little details, but you, when you get this on  the box set, you'll hear that Brian is probably in the control  room, Freddie will be on the piano, and John will be there and  Roger, and he's directing tempo, and erm, there's, there's  interaction between them. And then when they get the rhythm  track, he'll go in the next day and do the guitar. So this, let's  hear this.
  
  Freddie: Ohhh, (unknown dialogue), take 4. It was me. Oh shit.  That was good, just, not too slow. Alright then. Two, three, four
  
  Unknown voice: Take 5
  Freddie: Two, three, four     
     The  Millionaire Waltz
   Details of the released version can be found on the 'A Day At The  Races' album page.     This version runs faster than the album version (4:53), and the  main differences are that the lead vocals are much quieter than  normal (but still audible), some of Brian's guitar parts are  either missing or quieter, and it is also missing the first  couple of seconds of the track. Length 4:36.      
     The Miracle
   Details of the released version can be found on the 'The Miracle' album page.     This message was played from tape at the 1990 Fan Club  convention, and is simply the first 49 seconds of the album  version, with John Deacon's spoken message over the top. A full  transcription can be found on the Miscellaneous  Songs page. Length 0:49.      This is basically an early version of the start of the track,  just until the 'if every leaf on every tree' verse would normally  begin. Again this is a more basic performance of the album  version, and it loses the backing vocals but adds a single  additional lyric (Freddie sings 'the miracle' just before 'we're  all waiting for'). The track is missing guitar from some places,  whilst there is additional guitar in others. Length 1:38.      Every drop of rain that falls in Sahara Desert says it all
  It's a miracle
  All God's creations great and small, the Golden Gate and the Taj  Mahal
  That's a miracle
  Test tube babies being born, mothers, fathers, dead and gone
  It's a miracle
  
  We're having a miracle on earth
  Mother nature does it all for us
  The wonders of this world go on, the hanging gardens of Babylon
  Captain Cook and Cain and Able, Jimi Hendrix to the tower of  Babel
  It's a miracle
  It's a miracle
  It's a miracle
  It's a miracle
  
  The one thing
  We're all waiting for is peace on earth an end to war
  It's a miracle we need - the miracle
  The miracle (the miracle) we're all waiting for 
  Today     
     The Miracle Demos  Medley
   This is a track which contains five different demos, for six  different tracks, one after the other. The only tracks which  segue into each other are 'I Want It All' and 'Chinese Torture',  for the remaining tracks there is a definite start and end. Full  details of each song can be found on the relevant demo pages.  Length 14:10. 
  
  The tracks are:
  My Baby Loves Me (fake  version, 3:36)
  I Guess  We're Falling Out (2:36)
  Hang On  In There (AKA A Fiddley Jam) (2:59)
  A New Life Is  Born (1:22)
  I Want It All / Chinese  Torture (instrumental demo, 3:37)     
     The Night  Comes Down
   Details of the released version can be found on the 'Queen' album page.     This demo actually appears on the debut album 'Queen'. The band  were unhappy with their own subsequent performances, and with Roy  Thomas Baker's production of the track, so they resorted to using  the demo version for the album. However, of course, this means  that there are a number of subsequent recordings and mixes which  remain unreleased.     These 'demos' are just the familiar 4:23 album (demo) version,  running slightly faster or slower. The 4:32 version seems to be  unchanged, and presumably this also applies to the 4:17 version.  Lengths 4:17 and 4:32.      
     The Prophet's  Song
   Details of the released version can be found on the 'A Night At The  Opera' album page.     This track is rumoured to have been recorded for the 'Queen II'  album in 1973 or 1974. Given how complex the final album track  is, it is probable that this early version is quite different.     On 'The Making Of 'A Night At The Opera'', interviews with Roger  and Roy Thomas Baker reveal that the track was still being mixed  at the time of a press conference, and so a 'cobbled together'  version was used, and subsequently played on radio by Kenny  Everett. Apart from this, nothing else is known about this  version.     
      There Must Be More To Life Than This
   Details of Freddie's released version can be found on the 'Mr  Bad Guy' album page, while the original demo with Michael  Jackson can be found on the Freddie  Mercury Collaborations page.     This Freddie solo track was initially developed for 'Hot Space',  and then intended to end 'The Works', before 'Is This The World  We Created...?' replaced it. Some sources suggest that the Queen  version backing track is actually on 'Mr Bad Guy', although this  seems unlikely. The Queen demo and Freddie and Michael Jackson's  demo were combined to create a Queen + Michael Jackson version of  the track, which was released on the 'Forever'  compilation in 2014.      
     These  Are The Days Of Our Lives
   Details of the released version can be found on the 'Innuendo'  album page.     Greg Brooks has apparently confirmed that an alternate version of  the track exists and may appear in the Anthology boxed sets if or  when they are released. How the track differs from the album  version, and whether it is an early version or just an alternate  mix, is not known.      
     Tie Your  Mother Down
   Details of the released version can be found on the 'A Day At The  Races' album page.     This demo is musically very similar to normal, although there are  some minor differences, including more guitar in places. However,  it features a guide vocal from Brian, and no involvement from  Freddie. The vocals are only very faint and in places difficult  to make out, but definitely there. Some of the harmonied vocals  are probably present on the album version. Length 3:41.      This version includes the entire 'A Day At The Races' guitar  intro, and Brian adds extra guitar throughout the rest of the  song. Unlike some of the KEWB tracks, there is no dialogue  present, but there is however a nasty glitch at about 3:09.  Length 4:27.       Get your party gown
  Get your pigtail down
  Get your heart beating, baby
  Got my timing right
  I've got my act all tight
  It's gotta be tonight my little schoolbabe
  Mamma says you don't
  And your daddy says you won't
  And I'm boiling up inside
  Ain't no way I'm gonna lose out this time
  
  Tie your mother down
  Tie your mother down
  Lock your daddy out of doors
  I don't need him nosing around
  Tie your mother down
  Tie your mother down
  Give me all your love tonight
  
  You're such a dirty louse
  Go get out of my house
  That's all I ever get from your
  Family ties, in fact I don't think I ever heard
  A single little civil word from those guys
  But you know I don't give a light
  I'm gonna make out all right
  Got a sweetheart hand
  To put a stop to all that
  Fighting and sniping 
  
  Tie your mother down
  Tie your mother down
  Take your little brother swimming
  With a brick, (unknown lyric)  Tie your mother down
  Tie your mother down
  Or you ain't no friend of mine
  You ain't no friend of mine, no
  
  Oooh, your mummy and your daddy gonna
  Plague me till I die
  They don't understand it
  I'm just a peace loving guy
  
  Tie your mother down
  Tie your mother down
  
  Tie your mother down
  Tie your mother down
  Give me all your love tonight
  
  All your love tonight     
     Too  Much Love Will Kill You
   Details of the released version can be found on the 'Made In  Heaven' album page, while the Brian  May Unreleased Songs & Demos page features details of  Brian's solo demos.     This demo, originally intended for 'The Miracle', is similar to  the version that appeared on 'Made In Heaven', but features a  different vocal from Freddie. However the structure of the song  is slightly different - instead of two verses then a chorus it  has the first verse, then chorus, then the second verse and a  chorus, before fading out. However the demo seems to be edited  between the first verse and first chorus, and seems to continue  after it fades out, so the original take may well be different.  Length 2:01.       This demo was played at one of the fan club conventions, and  apparently features a much longer guitar solo, more drums, and  vocals from both Brian and Freddie, with Brian singing guide  vocals and Freddie's vocals over the top.      I'm just the pieces of the man I used to be
  Too many bitter tears are raining down on me
  I'm far away from home
  And I've been facing this alone for much too long, ooh
  
  Yeah, too much love will kill you
  If you can't make up your mind
  Torn between the lover
  And the love you leave behind
  You're headed for disaster
  'Cos you've never read the signs
  Too much love will kill you - every time
  
  I feel like no-one ever told the truth to me
  About growing up and what a struggle it would be
  In my tangled state of mind
  I've been looking back to find where I went wrong
  
  Yes, too much love will kill you
  Just as sure as none at all 
  It'll drain the power that's in you
  Make you plead and scream and crawl
  And the pain will make you crazy
  You're the victim of your crime
  Too much love will kill you - every time     
     Under Pressure
   Details of the released version can be found on the 'Hot Space' album page.     The original version of this song was called 'Feel Like' and full  details are available on the Unreleased Songs page,  although it is different enough to be considered a separate  track. It is also believed that genuine demos of the track exist,  either with or without David Bowie.     This version contains three parts - a 1:12 guitar intro, a 1:38  edit of the album version, and a 23 second outro. So far I have  seen versions which include various edits of these, but all  include dialogue from Brian or the DJ and so they are all easily  identifiable. Brian introduces the album track with a guitar  version of the famous bassline, then the song cuts in on the  'blind man' vocals (at about 2:07), and continues to the end.  Brian's extra guitar is alongside the album version, rather than  drowning it out, and the result is a great version with a  different feel; it's just a pity that it's such a short version  and that it has dialogue in places. Length 3:13.     
     We Are The  Champions
   Details of the released version can be found on the 'News Of The  World' album page. 
  Some of the recording out-take footage listed below was used to  create the 2011 promo video for the track, however, the footage  in the documentary is longer and slightly different.     This excerpt, from the 'Days Of Our Lives' documentary, features  out-takes including Freddie's vocals, some of them  double-tracked, some instrumental excerpts, and studio dialogue  from Freddie and Mike Stone. Some of the track however is  obscured by interviews with Roger and Brian. Length 1:41.      This excerpt, also from the 'Days Of Our Lives' documentary,  features an early instrumental take of the track, which features  harder and rawer guitar from Brian, though it is musically very  similar to the album version. It is a complete instrumental, with  no lyrics or dialogue. Length 1:18.      This version of the track features a few changes, including some  alternate guitar from Brian, and the crowd singing and clapping  along to the track. I seem to recall that there was some or other  ruling that bands could not just go on and mime to the single  version of tracks, and that they had to have some 'live' elements  to them, which may explain the differences.      I've paid my dues
  Time after time
  I've done my sentence 
  But committed no crime
  And bad mistakes 
  I've made a few
  I've had my share of sand
  Kicked in my face
  But I've come through
  And I need to go on and on and on and on
  
  We are the champions, my friends
  La, la, la, la, la  Freddie: If I were you, we'll soon find out, let's get the sound  in there, let's get like, a, raw sound on the drums (unknown  dialogue)  We are the champions
  No time for losers (ooooh, oooh)
  'Cos we are the champions     Mike Stone: 'Cos here we've got three tracks of, four tracks of  vocals, one with a solo guitar, then that's got end bit solo
  Freddie: Well listen to them darling, that's the only way we can  do it    We are the champions
  We are the champions
  No time for losers 
  'Cos we are the champions      
     We Are  The Champions
 (with Robbie Williams)
   Details of the released version can be found on the 'News  Of The World' album page.     This remake was apparently presented to the record company, but  was rejected as it is too much of a departure from the original  version. Some sources suggest it contains acoustic guitar  throughout.      
     We Will Rock You
   Details of the released version can be found on the 'News Of The World'  album page.     This was pressed onto a 7" acetate and is actually an edit  of the album track. It omits the introductory beat, starting with  Freddie's vocal, and fades out during the guitar solo, reducing  the length to 1:45. As edits go it seems fairly pointless, and  would have a big impact on the song for a not particularly big  time saving.     Not a demo in any way, but somebody has probably claimed it to  be. This is simply an instrumental version of the track without  any vocals, or even Brian's guitar. So basically it is 2 minutes  of feet stamping and hand clapping, and could hardly be less  interesting. Length 2:03.     
     We  Will Rock You
 (fast version)
  Details of the released version can be found on the 'News  Of The World' album page.     It has long been rumoured that the band recorded a studio version  of this track for the 'News Of The World' album, but apparently  the nearest we'll get is the BBC version from 1977, released on  the 'On Air' album. As the track has always been a live  favourite, it is not unreasonable to expect it to have been  attempted in the studio, but apparently this is not the case.      
     White  Queen
 (As It Began)
   Details of the released version can be found on the 'Queen II' album  page.     A home recording of the track by Brian from 1969 is rumoured to  exist, probably called 'As It Began'. Whether this is true and  whether it still exists is another matter.     In addition to the above, the track is strongly believed to have  been recorded both by Smile and by Queen for their debut album.  If so, neither version has ever materialised anywhere.     
     Who Needs You
   Details of the released version can be found on the 'News Of The World'  album page.     There are rumours that the band may have recorded a reggae  version of the track, though how accurate this is, how complete  it is, and whether it still survives is unknown.       I haven't heard this track, but apparently it loses most of  Freddie's lead vocals, which would mean that the right stereo  channel has been removed. This would give an (almost)  instrumental version, but Freddie's vocals would be just about  audible.      
     Who  Wants To Live Forever
   Details of the released version can be found on the 'A Kind Of  Magic' album page.     Apparently upto 4 different demos of the track exist, although  very little is known about them. It is possible that these demos  are quite different to the album versions, as the track was  changed even between appearing in the film Highlander and the  release of the album.      This demo was recorded by Brian on a synthesiser, and features  the basic melody of the track, which is surprisingly close to the  album version, given how early it must have been recorded. The  track was apparently recorded in the studio and used as a guide  for the Queen version, before being thrown away, then somebody  found the tape in a skip. The demo is available in two parts;  "Skip Demo 1" contains around 37 seconds of warm-up  chords, while "Skip Demo 2" contains the main track  lasting 5:05, giving a total time of 5:47 (with a few seconds of  silence between).      
     You And I
   Details of the released version can be found on the 'A Day At The Races'  album page.     This track features Freddie, Roger and John, and is musically  very similar to the album version, minus Brian's guitar. It  retains a few backing vocals, not all, and most notably the 'do,  do' vocals are missing. Where the track normally fades out, this  version has a proper ending with a slow piano and drum  'wind-down'. Length 3:43.       This version runs slower than the album version (3:24), and seems  identical to the album version apart from one change. During the  'you know I never could foresee the future years' verse, the  right stereo channel has been removed, which means the 'do, do'  backing vocals are lost. It would actually have been more  interesting if they had removed the left channel, as this would  have removed Freddie's lead vocals. Length 3:32.      We'll go walking in the moonlight, walking in the moonlight
  
  We'll go walking in the moonlight
  Walking in the moonlight
  
  And
  I     
     You Don't Fool Me
   Details of the full Sexy Club Mix can be found on the 'You Don't Fool  Me - The Remixes' songs page.     This track isn't a genuine demo at all, and is simply an excerpt  of the Sexy Club Mix of 'You Don't Fool Me', which begins with a  'you don't fool me' vocal from Freddie, followed by several 'laa'  vocals from Roger. The giveaway is the heavy dance beat, which  corresponds to the remix from approximately 6:55 to 7:12 (the  full version of which is truly awful). Length 0:17.
   
  You don't fool me
  
  Laa
  La, la, la, la
  La, la, la, la
  La, la, laa     
     You Take  My Breath Away
   Details of the released version can be found on the 'A Day At  The Races' album page.     This track was played at one of the fan club conventions and  apparently just features Freddie on piano and vocals. It is not  known how complete the track is, or how the lyrics may differ.     This version omits the intro and outro, equivalent to the album  version from 0:46 to 4:35 (approx), and runs slower than the  album version (the section should last 3:49). However, there do  not seem to be any other changes. Length 4:01.