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Released on 11 November 2013, as part of the  boxed set 'The Lot' only. 
  Length 133 minutes.
Tracklisting:
  Roger Taylor Solo:
  1. Strange  Frontier 
  2. Man On  Fire
  3. Happiness
  4. Foreign Sand  
  5. Surrender 
  6. Nazis 1994 
  7. The  Unblinking Eye
  8. Dear Mr  Murdoch (2011)
  
  Live:
  9. Old  Friends (live at the Gosport Festival, 1994)
  10. Man  On Fire (live at Truro City Hall, 1994)
  11. Happiness  (live at Truro City Hall, 1994)
  12. Everybody  Hurts Sometime (live at Truro City Hall, 1994)
  
  The Cross:
  13. Cowboys  And Indians
  14. Cowboys  And Indians (2 drummers)
  15. Shove  It
  16. Heaven  For Everyone
  17. Power  To Love 
  18. Liar  
  19. New  Dark Ages 
  20. Blue Rock EPK
  
  Interviews & Electronic Press Kits:
  21. Happiness? EPK
  22. Electric Fire EPK
  23. Interview for Parlophone
This is a fairly basic DVD, divided into four  sections. The main menu has options to play all tracks (title 1,  133 minutes), or open sub-menus to select the tracks in each  section, and plays an excerpt of 'The Whisperers', with  much shorter excerpts played when you select each option. The DVD does not feature subtitles or sound  options, with all tracks presented in standard stereo. 
  
  Title 2 contains 'Roger Taylor Solo', lasting 34 minutes, and  features 8 promo videos. Each video begins with the front sleeve  of the single release, and finishes with the back sleeve. Only  'The Unblinking Eye' has been officially released before. 
  
  Title 3 contains 'Live', lasting 16 minutes, and features 4 live  tracks recorded in 1994, one at the Gosport Festival and three at  Truro City Hall. Each track features a simple caption in white  text at the start, and they are all previously unreleased. 
  
  Title 4 contains 'The Cross', lasting 40 minutes, and features 7  promo videos and an electronic press kit. As with 'Roger Taylor  Solo', each video begins and ends with the single artwork (apart  from 'Power To Love', which features the 'Mad, Bad And Dangerous  To Know' album sleeves). All of the promo videos are previously  unreleased. The final track in the section is an EPK for 'Blue  Rock', which features clips from the 'New Dark Ages' video,  excerpts of 'Life Changes' and 'Millionaire', live footage from  the Festival For Life concert in Switzerland on 1 April 1990, and  interviews with the individual band members about naming the  album, favourite tracks, producing, co-writing, influences and  touring. 
  
  Title 5 contains 'Interviews & Electronic Press Kits',  lasting 43 minutes, and contains three features as follows, all  previously unreleased. Each feature begins with the relevant  album's front sleeve and ends with the back sleeve.
  
  'Happiness? EPK' (21 minutes):
  Directed by Rudi Dolezal and Hannes Rossacher and produced in  August 1994, this features excerpts of 'Touch The Sky' and 'Dear  Mr Murdoch', footage from the 'Happiness', 'Nazis 1994' and  'Foreign Sand' promo videos, backstage footage of the 'Happiness'  video shoot, and live footage from the Gosport Festival and  Japanese Great Music Experience of 'Old Friends', 'The Key' and  'Radio Ga Ga'. It also features footage of Roger's Cosford Mill  studio, and footage of Roger and Joshua J. Macrae working on  tracks, with interviews covering writing, the album title,  artwork, recording, individual songs, and touring. 
  
  'Electric Fire' EPK (9 minutes):
  This features an excerpt of 'Where Are You Now?' and live footage  of 'We Will Rock You', 'Believe In Yourself', 'No More Fun',  'Pressure On' and 'These Are The Days Of Our Lives', all recorded  at the Cyberbarn concert. It features footage of Roger's house  and gardens, and interviews about the album title, artwork,  recording, the internet, and touring. Much of the footage comes  from the 'Live At The  Cyberbarn' video. 
  
  Interview with Parlophone (14 minutes):
  Issued to promote the 'Surrender' single, this is straight  interview, with Roger talking about the track, domestic violence,  living in the country, the Cyberbarn concert and the 'Electric Fire'   tour.
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